Myrianna-Red Box Games, WIP 1

Although I rarely post WIP's, I always take test photo's as I work through the process of painting a miniature.  However, with this figure, I am making an exception.  I would like to show my dearest of friends Dez, from The Hollywood Spy the myriad of steps we go through in bringing a figure to life.

Thus far I have only begun working into the shadows using thin glazes. The only exception is her hair, which I am making red, something I have not tried before.  My next step will be to complete the face and then begin highlighting the rest of the figure.

This is Myrianna from Red Box Games, sculpted by Tre Manor.  She is beautifully sculpted, a delicate figure with crisp detail and the casting is superb.  A gorgeous figure and a real joy to paint.

There is a tiny dragon sitting on her shoulder and I have simply inked it so I can see the detail when I go to add paint.

Myrianna will be part of my first Frostgrave Warband.  It seems that I have been bitten by the Frostgrave bug and as there is no known cure, I am giving myself over to the disease.

Defenders of the Empire-Lead Adventures Miniatures

These figures were painted as part of a Themed Bonus Round in this years Analogue Hobbies Winter Paint Challenge.  I was quite surprised to learn that I had been awarded first place for the entry.

The sculpts are from Lead Adventures Miniatures.  They are beautifully sculpted, with crisp detail and no discernible mold lines.  Further they are loaded with character and a real joy to paint.

Along with these, I purchased two other Steampunk Ladies and three rather large Steam Robots.  They are on the painting table now along with my first Frostgrave Warband and some WWII figures. 

Generally speaking I have around 10 figures that I work on simultaneously and I post things in the order in which they come off the table.  I find this method keeps me excited about picking up the brush every day.

Deadlands Noir-Reaper Miniatures

Bob Ridolfi has long been one of my favourite sculptors as his display good knowledge of anatomy, have clean lines and great character.

This is a 28mm figure from Reaper Miniatures, was sculpted by Bob and is part of their limited Deadland Noir Pulp Collection.

This figure was a real pleasure to paint.

Over the next week I will be posting more frequently than normal so I apologize in advance for that.

Warlord British Paratroopers-Test Figures

One might expect that my continued interest in painting figures for Operation Market Garden is due to the work of Cornelius Ryan in A Bridge Too Far.  Admittedly, it is his work that introduced me to the historical events that took place in an operation that cost so many lives.  However, it is the work of Geoffrey Powell in his book Men At Arnhem, that has moved me the most and has convinced me that I must see this project through.

Because I have no experience in painting cammo, I chose to first complete three test figures  Although I am not entirely pleased with the results, it is a start and I know I can improve with practice.

Figures are 28mm and are from Warlord Games.

I shall paint a few more advancing figures to work out the bugs in my technique before tackling my PIAT and light mortar teams, the only defense these troops had against the might of German tanks.  

Just prior to the onset of the Analogue Winter Painting Challenge, I purchased It Never Snows In September by Robert J. Kershaw.   Please feel free to recommend any books that you feel might be of help to me.

Hasslefree Moderns-Painting Dark Skin

Finally I have completed the last two miniatures of the five figure Hasslefree Moderns team.  I like to think of them as hired assassins.

At the end of the post, I will include a walk through on how I approached a darker black skin tone.


Figures are 28mm and were sculpted by Kev White.

 I have included a group shot to show the five figure team together.

To aid in the discussion about skin tones, I have included a close up shot of the females face.

All paints used were from Reaper Miniatures.  

I photographed the paints as some people do not use Reaper and may be able to find comparable colours by their favourite manufacturer.  From left to right are:  Nightshade Purple, Dark Skin Shadow, Dark Skin Base, Dark Skin Highlight, Green Ochre and Twighlight Purple.

Normally I would use Dark Skin Base as my base colour. This time however, I used Dark Skin Shadows as my base and worked into the shadows by adding increasing amounts of the Nightshade Purple until I was using pure Nightshade Purple in the deepest shadows.  

I then applied thin glazes of Dark Skin Base and worked up to Dark Skin Highlights to create two mid tones.  From there I added increasing amounts of Green Ochre to the Dark Skin Highlight until I reached the highest highlight.  For this I used pure Green Ochre.  All layers were applied as thin glazes.  Although this is time consuming, it does allow for smooth transitions as one works up such a steep gradient.  

Finally I added three thin glazes of the Twighlight Purple.  That final glazing step unifies the layers and helps to provide depth of colour.

I want to take a moment to discuss the difference between painting Caucasian skin and Black skin.  The basic principals are different with a black skin as the gradient from shadow to highlight is very steep.

This can be illustrated by looking at these paint samples.  At the top is the darkest and lightest colours for a dark Black skin and the bottom is for a warm Caucasian skin.  A fundamental difference between Dark skin and Caucasian skin is where the contrast occurs.

In Caucasian skin all the contrast occurs when going from mid tone to shadow. The transition from mid tone to highlight is subtle and is to be kept very soft.  The opposite applies to Dark Skin.  In Dark Skin, all the contrast occurs when going from the mid tone to the highlight.  The transition from mid tone to shadow is less exaggerated.  This is due to the differences in the reflection of light in the respective skin colours.

Those principals can easily be seen when looking at photographs.  Notice the depth of shadow in Cillian Murphy's face and subtle transition from mid tone to highlight.  However, when looking at Omar Epps, we see the opposite is true.  While there is little difference between mid tone and shadow, there is a great deal of contrast between the mid tone and the highlights.  

I realise this is quite wordy, but I hope that it is of help to some people when they are painting character figures.   

Hasslefree Moderns

Currently I am attempting to acquire techniques that will help me produce more realistic skin tones.  I chose to make my first attempts using these Hasslefree figures as they are simple sculpts with clean lines.

Rather than rely simply on the Reaper skin tone triads, I have used Crimson Red, Burgandy Wine, Winter Blue, Pale Lavender and Old West Rose to work down into the shadows (all paints used are from Reaper). A more complete description of the technique can be found at The Analogue Hobbies Painting Challenge.

Figures are from Hasslefree Miniatures, are 28mm and were sculpted by Kev White.

These are the first three out of a team of five.  The other two figures are being done in a deep ebony skin tone.  When I post those figures I will endeavour to do a detailed description of how those skin tones were achieved.

US Airborne Bazooka and 60mm Light Mortar Team

I am working on a small project for Operation Market Garden, which will include figures from the US, Britain and Germany.

These figures are to represent the 508th Parachute Infantry Regiment at Nijmegen.  They are from Warlord Games, Bolt Action and are 28mm figures.

This project will likely take me a year to complete as I am continuing to paint figures from multiple genres.  At the moment I have some British Paras on the table and am working on the cammo patterns on the Denison smocks.